A normal day at The Guardian can throw all kinds of design challenges at you, often from out of the blue and on a very quick turnaround. Working right on the pulse of the news cycle means that you have to think fast and work faster to get the best visual
imagery out there to support the journalist and editors needs, while providing crucial context for the readers.
This is a small collection of some of the work I’ve created on the fly for various projects in my time at The Guardian. From virtual reality to politics to global warming, each project is new, surprising and challenging.